PDF 101: Ten Common PDF Problems

We see a lot of PDFs come through the MagCloud site, and while most of them look great, there are some avoidable issues that pop up every so often. Below are ten common PDF problems that can stand in the way of a great looking print publication.

1. Content is too close to the outside edges.
We see a number of great PDFs that have text placed dangerously close to the trim line.   As we discussed in our design series blog post on trim and bleed, it’s important to keep your content within a safe distance of the trim line to avoid having it cut off in your final print publication. Remember that the trim line is 8.25″ x 10.75″ so you need to design to those dimensions NOT the PDF size of 8.5″ by 11″ that you upload to MagCloud. This 8.5″ x 11″ PDF includes a bleed area that will be trimmed off: 0.125″ on the top, 0.125″ on the bottom and 0.25″ on the outside. Since this trim can vary slightly in either direction, we recommend leaving 1/4 inch of extra space between the 8.25″ x 10.75″ trim line and your content, particularly any text content. This will ensure that even if the trim is slightly off, your content will not get cut off, nor will it appear to have been placed too close to the edge of the page.

2. Images are not extending into the bleed area.
Similarly, we see a lot of PDFs where images that the publisher wanted to extend to the edge of the page stop at the trim line. If the trim is even slightly off in the opposite direction in this case, there will appear to be a thin white edge on the image, as shown in our trim and bleed blog post and below. With that in mind, be sure that any images you want to extend to the edge of the printed page, go all the way to the edge of your 8.5″ x 11″ PDF, filling the bleed area (again, 0.125″ top and bottom, 0.25″ on the outside edge).

3. Content is too close to the spine.
Another “edge” to keep in mind is the inside edge of your PDF, where the spine will be on your printed publication. We often see PDFs with text that starts right next to the spine, and becomes lost when printed with a perfect binding. As we described in our design series blog post on designing for perfect binding, up to 1/4 inch of the inside edge of your page may be lost into the spine on a perfect bound publication. It is important to keep this in mind when designing your PDF, and ensure that none of your content is placed close enough to the inside edge that it is in danger of being lost in the final print.

4. Images are distorted across perfect bound spines (especially faces).
In addition to text disappearing into a perfect bound spine, we also see PDFs that have images going across the center spine such that the resulting print appears to be missing up to a half inch in the center of the image due to the perfect binding. As described in our perfect binding blog post, as well as on our Getting Started page, this can be avoided by making the two halves of one image into two separate images within the document, then moving them both out from the spine slightly and duplicating the opposing image within the resulting gutter space. Another trick is to avoid placing the focus of an image on the spine, which will draw attention to this disappearing act and make it more obvious to the viewer. If the focus is moved away from the center spine, any loss of content into the spine area will be less noticeable.

5. PDF uses low resolution images.
While the placement of images is one thing that can cause problems in a print copy, the image itself can be the problem. We often see are PDFs that use lower resolution images, and although they look good on screen, they end up looking pixelated in print. As we describe in our design series blog post about getting the most out of your images, screen resolution is 72 pixels- or dots-per-inch (dpi) but print resolution is 300 dpi. Therefore, when selecting images for your publication, they should be at least 300 dpi to ensure a quality print out. As a test to see if your images will look good in print, open your PDF on your computer screen and zoom in to 300%. If the images still look crisp then, they will look good in your printed copy. On the other hand, if they look pixelated (like they are made up of little blocks of color) then your image is too low res, and will end up looking fuzzy in your final printed copy.

300 dpi vs 72 dpi at 350% zoom

6. Color profiles are not embedded.
Another common image problem we see in PDFs deals with the color of the resulting print copy. As we explained in our design series blog post on working with color, HP Indigo presses print MagCloud publications in a 4-color CMYK process, but most images that get used in the PDF have an RGB colorspace. To help guide this conversion from RGB to CMYK, it is important that the color profiles for these images are embedded in the PDF. Without them, the color of the printed images may appear to be slightly off. To make sure that you are using the best color settings possible when creating your PDF, we encourage you to follow the program-specific instructions that are available for download from the bottom of our Getting Started page.

7. Fonts are not embedded.
Of course, color profiles aren’t the only things that need to be embedded in your PDF – any fonts you use also should be included. A common error that occurs in our PDF upload validation is non-embeddded fonts. This can again be avoided by following the downloadable instructions on our Getting Started page for the software you are using to design your PDF. Each of these guides provides settings that will ensure your fonts are properly embedded in your final PDF, and help you avoid this upload error.

8. Fonts are too small or illegible.
In addition to the technical issue of non-embedded fonts, in some cases the problem with a PDF stems from the fonts themselves being too small or illegible, making the text difficult to read in the final print. For body copy we recommend 9-12 point type and for headlines 18 points or higher.  As we discussed in our design series blog post on typeface dos and don’ts, you also want to avoid hard-to-read fonts, particularly for large blocks of text. Decorative fonts are great as headers, but can detract from your message when they become difficult to read.

9. Dark text is used on a dark background, or light text is used on a light background.
Even in cases where the font is legible, we’ve seen PDFs where the color of the text doesn’t provide enough contrast with the background. Placing navy blue text on a black background or light yellow text on a white background, as shown below, becomes very difficult to read. When there is not enough contrast between the text and the background like this, the text seems to blend in and disappear from view, taking the message it was intended to convey with it.

10. A light spine is used with a dark cover, or a dark spine is used with a light cover.
Finally, while you want your text to stand out, it’s a whole other story when it comes to your spine. We occasionally see PDFs that have dark covers and light spines, or vice versa, which makes the slightest shift in the spine placement become glaringly obvious. As we discussed in our perfect binding design blog post, we encourage you to pick a spine color that is close to the color of your front and back covers. Doing so will give a more seamless appearance to your final print publication, and ensure a more polished look with every print.

To help avoid these problems in your PDF, be sure to follow the program-specific instructions available for download on our Getting Started page when designing your publication. For some more resources to help design your PDF, check out our design series blog post on layouts and templates, or browse through some of our featured publications on the MagCloud website for inspiration.

Does your publication successfully avoid these ten common problems? Share a link to it in the comments below!

It’s All About the Wordplay: 6 Typeface dos and don’ts

We’ve all seen over-designed documents that at times make us cringe.

Most often the offending design element is an extreme font choice, or font overload with too many fonts used throughout the document. Poor typeface choices can make a document hard to read or unprofessional looking. So, if you are looking to keep a professional look, without compromising personality, it’s important to select the right fonts for your publication. And while there aren’t any hard/fast rules for selecting fonts, here are a few guidelines that we think may help you on your way.

1. Follow the Rule of 3
The only quantitative rule for design is the “Rule of 3.” When you start tweaking the fonts of your document, be sure to apply no more than three typefaces per design (or page). That’s not to say that you can’t use multiple styles within a font family (i.e. Neutra Bold for headlines and Neutra Thin for photo credits), just be mindful of not mixing too many typefaces and styles–fight the temptation to blend Impact, Courier, Lucinda and Trebuchet in the same document. While there might be a few exceptions to this rule, it’s a good sanity check, to ensure that you don’t go overboard and over-complicate your design. And as a good rule of thumb, you should probably just avoid Papyrus and Comic Sans. Always. Just take our word for it.

2. Choose a fitting font for your audience.
Be sure to choose a font that matches the tone and audience of your document. For example, Matt Mattus’ Plant Society a gardening blogazine has a different readership and “feel” than this corporate report. Both of these documents are well tailored to their target audience. Something like a gardening magazine might use a more fun and light serif font, whereas the business would find it more appropriate to use a more structured sans-serif font.

If all of this is sounding French to you, that’s because it is! In typography, serifs are the sometimes curly details (they look a bit like feet) on the ends of the strokes that make up letters and symbols. A typeface with serifs is called a serif typeface and a typeface without serifs is called sans-serif, from the French word sans, meaning “without.”

But enough with the French lesson, let’s take a look at some examples:

3. Avoid hard to read fonts.
Some decorative fonts are designed to only be used for headlines or even just drop caps. Be sure when you select a fancy or script font, that you use it sparingly, and that you can still read it. If you can’t read the type, you can be sure your audience won’t bother to try. Also avoid WordArt, which while fun to play with, is very difficult to read.

4. Use contrasting text for headlines and body text.
It’s important to define the segments of your document, breaking it up into bite-sized pieces so your reader is inclined to read it in its entirety. One way that you can do this is by clearly identifying headlines from your body paragraphs. For example, you might use a bold sans-serif heading font with a plain serif body text font. You generally don’t want to mix two similar typefaces as they won’t provide enough contrast.

5. Eliminate excessive emphasis in your text.
You should be able to emphasize the words without excessive use of bold, italic or underlines. As you are designing, zoom out and look at the page from a distance. If your text is littered with tons of bold segments, italics and underlines, you might want to rethink what you’re doing.

6. Be consistent.
Consistency is key to building a brand style, or just having a stronger, more professional-appearing message. If your headings are set in a particular font, size and color, don’t switch it midway through a document, unless you have a good reason for it. The best way to maintain consistency through a multipage document, or from document to document, is to set style sheets.

Each software program handles style sheets differently, so if you aren’t sure how to use them you may want to visit your software developer’s help section for a tutorial. Time spent learning how to use style sheets will be a great investment for your future designs.

Just remember to keep it simple.
When all is said and done, the important thing to remember is to keep it simple. And simple doesn’t have to mean boring, but instead discerning–keeping an editor’s eye on your design and font selections, so that your message doesn’t get lost in your design.

Do you have more typography suggestions? Share them below in the comments!

Magazine Cover Design Inspiration

At MagCloud, we’ve seen a lot of magazine covers and know that the cover can significantly influence the popularity of an issue. Today, we’re sharing a few online resources that can provide more “food for thought” when you’re sitting down to design the cover of your next issue.

We know our customers’ design experience and expertise ranges significantly so no matter where on the spectrum you fall, it’s best to stay updated on the latest design software and trends available to you.

Let’s dive right in. Layers Magazine is an invaluable resource for designers of all sorts. Whether you’re looking to build a better portfolio or want to know how to make your magazine cover stand out among the rest, the website offers a variety of sections with tips and tricks for getting the most out of Adobe’s design tools.

Typography arguably plays an important role for your cover. Even if your magazine is image-driven, there is still a need to spend time researching trends and case studies before thoughtfully selecting a font. Don’t know where to start? Typophile’s Typography 101 will have you weighing the pros and cons of Venetian vs. Garalde types in no time. If you get stuck or have a question about using a specific font, head on over to the forum section and ask the experts!

For help designing graphics to insert into your magazine layout, check out Abduzeedo, which has a section devoted to daily inspirations for designers. Their interview section features established photographers, graphic artists, illustrators and others that can also provide real inspiration when you’ve hit a wall with your issue. Finally, Designmoo and 365psd let you download free graphic design files and collaborate with a community of designers.

It’s also essential to stay on top of today’s trends in print design. Visit Colourlovers for the latest in color trends and Trendland for trends across all mediums. It’s truly a go-to site for every designer.

Have a favorite site, blog or resource that we didn’t mention? Share it in the comments below! And, don’t forget to share this article. Your friends and followers will thank you!